Monday, 21 February 2011

It's all just constant cake these days


... oh, and sex.

I knew that would get your attention. Or to be accurate, I hoped that would get someone's attention. Then again, maybe I've failed in even that.

I'd like you to come along this Friday to Are You Sitting Comfortably at the Toynbee Studios on Commercial Street, E1 6AB. Doors open 7:30 for 8:00. You can have free chips and cake, and unless you've sampled them aurally (yes, the spelling is important here) you'll be able to hear my take on the birds and the bees - as interpreted by people who presumably know what they're doing. I thought about calling it Conception - maybe I'll save that for when Hollywood calls?

Of course there is always the worry that it will turn out to be some kind of Roman orgy. History does not have much positive to say of the quality of their baking.

Sunday, 20 February 2011

Donald Rumsfeld

As I Lay Dying (Of Boredom)

"I don't know what I am. I don't know if I am or not. Jewel knows he is, because does not know that he does not know whether he is or not. He cannot empty himself for sleep because he is not what he is and he is what he is not... and since sleep is is-not and rain and wind are was, it is not... Yet the wagon is, because when the wagon is was, Addie Bundren will not be."

Monday, 14 February 2011

Can I just have a T please?

Before:


Makeover:

Disappointingly, my newly-designed Lit Crit Medium font looks if anything slightly more elegant than the original handwriting from which it was derived. I was hoping to recapture some of the original's drawn-left-handed-in-blood quality. Admittedly I'm lacking a number of capital letters too. I'm also trying to think of a way to provoke the author into scrawling numbers. At present, I'm limited to Roman numerals. Mostly in lower case, too.

I suppose completing a font is very much like collecting stickers for the old Panini sticker albums. Except that you can't swap letters with your mates to complete the set. Or send off for the last fifty. Hmmm.

Saturday, 29 January 2011

Writers' Rooms

Tuesday, 18 January 2011

Word clouds

My novel, Darlington Frigg, as a word cloud. For those of you unfamiliar with the concept, references which come up the most frequently are represented largest. Quite simple, really. On the whole, I'm fairly pleased with this result. I just need to refine my use of "just"...

Wordle

Saturday, 15 January 2011

Things to do when you should be commenting on writing, #1

A spin off from the "Things to do when you should be writing" series... Many thanks to all the artists / critics involved.

Saturday, 8 January 2011

The St Petersburg Times

What is it?" she asked once more, scanning Raskolnikov intently, and weighing the pledge in her hand.

"A thing... cigarette case.... Silver.... Look at it."
"It does not seem somehow like silver.... How he has wrapped it up!"

Trying to untie the string and turning to the window, to the light (all her windows were shut, in spite of the stifling heat), she left him altogether for some seconds and stood with her back to him. He unbuttoned his coat and freed the axe from the noose, but did not yet take it out altogether, simply holding it in his right hand under the coat. His hands were fearfully weak, he felt them every moment growing more numb and more wooden. He was afraid he would let the axe slip and fall.... A sudden giddiness came over him.

"But what has he tied it up like this for?" the old woman cried with vexation and moved towards him.

He had not a minute more to lose. He
 
   For full the full article, become a subscriber
 

Friday, 17 December 2010

The True History of The Nativity

A couple of absolutely glorious Christmas stories I heartily recommend - please, please check these out, and more, here. A new telling each day until Christmas. Do you get the idea?

The Third Wise Man - N Quention Woolf

Herod - Ross Hopkins

Tuesday, 14 December 2010

A Christmas Story

Fair dos, the gaffer’s got a sense of humour.
‘Gabriel mate. Got a job for you down Bethlehem way,’ he says. ‘Fancy dress.’

‘What’s the theme?’

‘Well, there’s gonna be a shepherd or two, some wise guys, some animals. I thought you could wear your comedy wings. No-one would bat an eyelid. Just the basic though. Don’t give them no speeches. Turn up, flap your wings a bit, job done.’

So I put on the wings. A bit moth-eaten, and I’ve seen a few dinners since the last time I could really pull off a loop-the-loop in them, but the partygoers will probably be too drunk to notice. So I express this hope to the boss. He tells me the party is dry. There’s even going to be a baby there. So I’m not to arrive with a six pack, acting all lairy. Shame – me and the shepherds had a good session drinking under the stars the other night. I wonder if these ones are the same guys? It’s probably all part of that lost sheep scam.

Now it’s known in certain private circles that the boss has a theory about lost sheep. Reckons that one lost sheep returning to the flock might be more valuable than a whole bunch of them that never leave. So the scam in the hills is this: Shepherd A drives his flock over the hill and parks them with Shepherd B. He then finds an excuse to leave his flock and wander down to the town. Lately these shepherds have been claiming that they’ve seen a star in the east, and it’s some kind of portent. Corny, but the old ones are sometimes the best. So they go down to town, have a night out around the bars while they’re there. Next day they come back, report the sheep are lost, then trot round to Shepherd B to bring them back. Hey presto, Shepherd A’s flock is now worth ten times as much. Usually 50% of the profit goes direct to the farmer, then Shepherd A splits the remainder 60:40 with Shepherd B. Needless to say there are a lot of lost sheep in this neck of the woods now.

The boss seems to be aware of this. He’s always said, if he ever has a son, he’ll make him a farmer. He has a particularly shifty look about him today. Something tells me he has a stake in this open air gig down in Nazareth, as well.

I pitch up a bit short on my way down, meaning to land just beyond the manger where it’s nice and flat and there are no cross winds. Instead I go through the roof. Ruffles a few of my feathers, that does, and no mistake. A young guy with watery eyes and a bum-fluff beard looks at me like I just broke wind.

‘Are you here for, erm...’ he says. The wishy-washy type. His bird is lying down in the manger, in a state of partial undress, and there are all these animals about. Aye aye, I think. Pretty liberated. Then I see something moving, and hear something wailing, and it all makes sense. They’ve only gone and spawned a sprog, haven’t they. A home birth. Obviously they couldn’t make it to Bethlehem General.

I walk over to the baby. I’m not sure what I’m meant to say. Do I call it he, she, or it? And it’s a familiar-looking thing. Come to think of it, it looks like the boss. I’m thinking the old man’s not been spilling his seed on the stony ground. Crafty sod.

The baby shoots out a finger at me.

‘Alright, big man?’ I say.

‘Waaaaah,’ it says.

I flap my wings a bit, and my work here is done. This isn’t my scene. A geezer pitches up next to me in some kind of a crown and bearing all kinds of bling in his hands to offer the baby.

‘You’re not giving him that, are you?’ I say. ‘It’d be quite happy just playing with the wrapping paper you know.’

Well, he goes and gives me such a look for that. So I turn round and see who else I can find. I recognise one of the shepherds. We nod at each other. He gestures an imaginary pint. Good plan. I nod again, and we head down the road.